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This is a musician’s tale: the story of a boy growing up on the Iron Range, playing his guitar at family gatherings, coming of age in the psychedelic seventies, and honing his craft as a pro in Minneapolis, ground zero of American popular music in the mid-eighties. “There is a drop of blood behind every note I play and every word I write,” Paul Metsa says. And it’s easy to believe, as he conducts us on a musical journey across time and country, navigating switchbacks, detours, dead ends, and providing us the occasional glimpse of the promised land on the blue guitar highway.
His account captures the thrill of the Twin Cities when acts like the Replacements, Husker Dü, and Prince were remaking pop music. It takes us right onto the stages he shared with stars like Billy Bragg, Pete Seeger, and Bruce Springsteen. And it gives us a close-up, dizzying view of the roller-coaster ride that is the professional musician’s life, played out against the polarizing politics and intimate history of the past few decades of American culture. Written with a songwriter’s sense of detail and ear for poetry, Paul Metsa’s book conveys all the sweet absurdity, dry humor, and passion for the language of music that has made his story sing.
- Sales Rank: #1328386 in Books
- Published on: 2011-09-19
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, .95 pounds
- Binding: Hardcover
- 288 pages
Review
"Paul Metsa is a natural-born writer. He can write anything. Lyrics, letters, articles all flow out of him like an exotic, ferocious waterfall splashing down on all the senses. If he writes it, I read it."Nora Guthrie
"Metsa is a mountain in Minnesota music."Bobby Vee
"Paul Metsa is a great artist. I always look forward to playing with him."Lyle Lovett
"The roads Paul Metsa has traveled are so fabled you might think, opening his book, that it would be a book of footnotes—the record of a man walking in other people's footsteps. But Metsa brings every myth the roads carry down to earth, rewriting their stories in real time, returning the roads to real life, opening them up again to both past and future." —Greil Marcus
About the Author
Legendary Minnesota musician and celebrated raconteur, singer–songwriter Paul Metsa has produced and performed on numerous 45s, albums, and compilations. More than 5,000 gigs have taken him across the country and as far afield as Iceland and Siberia. A featured performer at Farm Aid V in Dallas, Texas, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame, and the Million Mom March in Washington, D.C., Metsa is a seven-time Minnesota Music Award winner.
David Carr grew up in Hopkins, Minnesota. He currently lives in New Jersey and writes for the New York Times. He is the author of The Night of the Gun.
Most helpful customer reviews
5 of 6 people found the following review helpful.
A Veteran Singer-Songwriter on the Trials and Joys of a Musician's Life
By Frank Beacham
I'm not a musician, but I love music and the people who make it. I especially like the little dive bar clubs--those tiny rock 'n roll dungeons where the genuine, real-life jams happen late at night after the paying crowd has left the building. Paul Metsa in "Blue Guitar Highway" takes you into these clubs and navigates through the ups and downs of a working musician's life. It is a mesmerizing journey in a real page-turner.
What's unique is Paul Metsa is not a household name. He's not a "famous" musician living a privileged "rock star" life. Yet, as you learn as the story unfolds, he has played with and for a virtual who's who of musicians at some of the top venues in the nation.
This is a guy who loves music and often lives gig to gig on minuscule paychecks, yet has a life that is rich with friendships, music, travel and remarkably colorful stories. His encounters with Minnesota's more famous song-writing wizard--Bob Dylan--are scattered throughout the book and many are hilarious. He's also a musician with balls, something that is illustrated clearly when he calls and goes to the hotel room of the Grateful Dead's Jerry Garcia after a gig to hand him a demo tape.
One of the things that kept me glued to Metsa's masterfully written narrative were the names of musicians he has played or worked with. So many--from Hubert Sumlin, Eric Weissberg and Scarlet Rivera to Louisiana Red, Honeyboy Edwards and Nappy Brown--I have known or had personal encounters with myself. As I read on, I was amazed by the constant connections Metsa makes with these familiar characters.
Paul Metsa nails the music scene with crisp, knowing prose. "American rock and roll started around a campfire in a dark and howling wind," he wrote. "It was blues, country and hillbilly music then. Once it was moved into four walls--juke joint or gin joint, rent party apartment, greased alley garage, or some full-moon Ozark barn dance--it became rock and roll.
"First, gut-bucket whiskey passed around in coffee cans, then ordered over the bar, smoke from hand-rolled cigarettes misting blue windows, both inviting the night and keeping it at bay, beautiful women writhing with imaginary lovers on sawdust dance floors, young men on a weekend pass from some hell-forbidden job doing the Hucklebuck and the Chicken Strut, these sons and daughters then joining in this Church of Saturday night together, while the band in the corner jacks it up, like drill hammers toward heaven, until the sweaty crowd tumbles out sanctified and satisfied."
As much as I like Metsa's writing about his life in music, his colorful family--and his super dog, Blackie--are also important elements to this story. Blackie, one of those instant attractions who senses his future owner at an animal shelter, started as a "problem dog" and managed to max out Metsa's new $5,000 credit limit card when he was hit by a car. From there, the story of Blackie is beautifully told as Metsa nurses him through surgery while tending to his own father, who was also healing from a serious illness.
When Blackie finally stood on all fours, unbowed by his trauma "like a canine Phoenix," Metsa wrote "a water pail couldn't have held my tears."
Then he continues: "Blackie's first paw-penned Christmas card described the whole story: price of adoption: $65. Price of emergency vet in Golden Valley: $1,400. Price of intensive care and surgery at the U of M vet hospital: $3,600. Price of having Minnesota's second best folksinger take me out at 6 a.m. and hold me up while I poop: priceless."
Metsa taps into one of the key reasons I like and respect musicians. These are people who--against all odds--create music out of thin air in a cruel world where "success" is normally measured by how much money a person makes. Anyone can learn to juggle financial deals in banks and on Wall Street, but it takes a special breed to survive and constantly make works of art in an environment where their talent is not celebrated or even recognized.
"The older I get, the more I am drawn to these kinds of men and women, tried-and-true American musicians, artists each and every one," Metsa wrote. "From the heartbeat in their mother's wombs, into a world that bounces us all around like pinballs, they became musicians because it was in their blood. They survived and prospered, not necessarily in terms of money but as beacons to guide the rest of us in troubled waters to that shore that we all call home."
Amen, brother!
1 of 1 people found the following review helpful.
The raconteur tells all like a favorite uncle returning from war, peace and travels.
By Chumley
Paul Metsa is that rare individual you meet in your life and you never forget. Here Paul writes about the life of a gig musician performer, the stories and the inspiration, when so many might give up on the dream, Paul soldiers on.
I saw someone place this book next to Richard's recent tome saying, 'one of these guys learned how to edit'. The pacing in Blue Guitar Highway is ideal for these quick trips through Paul's life and psyche. I must confess to knowing the guy for nearly two decades and I have been a fan ever since the first hello. A great performer, catchy original songs which seem to capture the ugly and beautiful truth of life at the same time. The man they all call when they want something for free and yet classy, sort of like how a used Tuxedo might get you an extra fifty bucks a night.
Paul makes you feel at home with his thoughts, three going on four decades of nightly gigs in clubs, dives, kitchens, basements, gardens and forty thousand seat stadiums has given him the golden thread that takes us into his deepest desires and shallowest thoughts as if it is coffee time on a Sunday morning. Like a dear friend telling tales of the great wide world around the campfire, we are lucky enough to live the musician's life through Paul Metsa and his journey. Touching the outer sanctum of the inner core of great musicians, we hear of conversations, parallel experiences and connections with the likes of Seeger, Woody Guthrie, Bruce Springsteen, Hubert Sumlin and even Jerry Garcia. Blue Guitar Highway is a personal tale, told by a raconteur, a bard, a sage of the road. Laced with surreal trips through the sixties, seventies and right through what will certainly be called the 'Lost Years', he is the ultimate guide down those alleys you know you should turn the other way from, but don't.
Almost quirky in the language, Metsa doesn't let you down, it will be on everyone's summer reading list next year, but if you are lucky enough to get this advance warning now is the time to read this verbose collection of tales, if you are like me, here in Minnesota, it's the perfect book to leave by the fire place and vicariously live the life of a blues man with a cup of cocoa, or coffee, or maybe a beer, or a whiskey. But never tequila.
1 of 1 people found the following review helpful.
I thought I knew a thing or two...
By SendInMaureen
I thought I knew a thing or two about the Minneapolis music scene until I read Paul Metsa's Blue Guitar Highway. It's a `tell all' in the best sense of the phrase. Lots of name-dropping of names and places, and that's one of the things I relish about it. It's a `who's who' of so many great musicians in the Twin Cities and the nation crossing many genres. And yes, of course I wanted to know who he was influenced by and connected with.
I fell in love with Metsa's music when I heard his song "Slow Justice" many years ago. As a lefty, I wanted to learn more about what made this guy tick. Now I know where he's from, how his family and hometown supported him, who he gravitated toward when he moved to the city, all his crazy escapades and why he's prone to cry when he talks about the people and the dog he loves. It's like he let us into his head and his heart.
About the writing... who knew the eclectic musician and performer could string together his thoughts with such eloquence right alongside a sneaky and clever wit. You can immediately tell he's well-read and has interests that reach far beyond songwriting. I was really entertained by his choice of words, turn of phrase, and a fun use of colorful language in just the right setting. So many lines simply took me by surprise. I wish I'd read it with a highlighter in hand.
Now when I hear his music, I appreciate it all the more. I got a peak at this complicated and very simple man. You can bet I'm going to listen closely to every new thing he writes.
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