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Eating Fire: My Life as a Lesbian Avenger, by Kelly J. Cogswell
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When Kelly Cogswell plunged into New York’s East Village in 1992, she had just come out. An ex–Southern Baptist born in Kentucky, she was camping in an Avenue B loft, scribbling poems, and playing in an underground band, trying to figure out her next move. A couple of months later she was consumed by the Lesbian Avengers, instigating direct action campaigns, battling cops on Fifth Avenue, mobilizing 20,000 dykes for a march on Washington, D.C., and eating fire—literally—in front of the White House.
At once streetwise and wistful, Eating Fire is a witty and urgent coming-of-age memoir spanning two decades, from the Culture War of the early 1990s to the War on Terror. Cogswell’s story is an engaging blend of picaresque adventure, how-to activist handbook, and rigorous inquiry into questions of identity, resistance, and citizenship. It is also a compelling, personal recollection of friendships and fallings-out and of finding true love—several times over. After the Lesbian Avengers imploded, Cogswell describes how she became a pioneering citizen journalist, cofounding the Gully online magazine with the groundbreaking goal of offering “queer views on everything.”
The first in-depth account of the influential Lesbian Avengers, Eating Fire reveals the group’s relationship to the queer art and activist scene in early ’90s New York and establishes the media-savvy Avengers as an important precursor to groups such as Occupy Wall Street and La Barbe, in France. A rare insider’s look at the process and perils of street activism, Kelly Cogswell’s memoir is an uncompromising and ultimately empowering story of creative resistance against hatred and injustice.
- Sales Rank: #872324 in Books
- Brand: Cogswell, Kelly
- Published on: 2014-03-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .70" w x 5.50" l, .0 pounds
- Binding: Paperback
- 256 pages
From Booklist
Cogswell is a strong woman activist and journalist dedicated to equal rights and justice. In her memoir she recalls her alternative-culture days in the East Village in the early 1990s, her disastrous coming-out to her mom, and her experiences in her mid-twenties photographing NOW’s 1989 March on Washington, D.C. It was there that she met her future partner at the first meeting that she attended of Lesbian Avengers, a direct action group demonstrating for lesbian equality. Throughout her unique coverage of Avengers history and personal memories and reflections, Cogswell is compelling, her writing rich in sensate focus. She remembers endless rains in Paris, “dark when we got up, dark when we went to bed . . . dark pavement streaked with water though puddles reflected . . . the yellow, steaming windows of bistros.” Turning to less poetic matters, she writes disparagingly of George W. Bush’s controversial 2000 election, “the law of the land, even imperfect, held the promise of justice . . . you could see it rip as the Florida election was rushed to the Supreme Court. They decided it was more important to hand over power on schedule than to respect each American voice.” An energetic and outspoken memoir. --Whitney Scott
Review
"To have a volume about lesbian activism that focuses on the most effective, most publicized and controversial group, the Lesbian Avengers, is almost too good to be true. Eating Fire is an intimate activist handbook that offers a generous ‘us’ and we can happily enter the space of it from so many angles." —Eileen Myles, author of Inferno (A Poet's Novel)
"Activist histories of social movements are rare yet essential to understanding how social change actually happens. Stories of lesbian activism are even harder to find. This unique, evocative, and fascinating memoir tells both a personal and a community story of creativity, political commitment, grief, and the love that motivates it all." —Urvashi Vaid, author of Irresistible Revolution: Confronting Race, Class and the Assumptions of LGBT Politics
"This free wheeling memoir of lesbian activism —alternately funny and raucous, meditative and reflective—is a document of a specific time and place. But it is also a marvelous, timeless tale of wit, survival, determination, and ultimately facing history. Veering between Portrait of the Artist as a Young Dyke and Rebel Without a Pause, Cogswell’s memoir of the Lesbian Avengers is incisive, politically astute, and a much needed addition to LGBT history." —Michael Bronski, Harvard University
"Although the Lesbian Avengers have been defunct since 1995, Cogswell’s idealistic objective in the fight for civil rights is still relevant: to make lesbians visible, change society, and most importantly, change lesbians, who will come to see the public space as theirs." —Kirkus Reviews
"Gay City News columnist Cogswell’s memoir (as much a cultural as personal history) is a needed addition to this focus [on queer activism from the early 1990s], highlighting the understudied path of the international force, the Lesbian Avengers. Fast-paced and reminiscent of New Narrative, there’s a lot of instructive joy to be found with a mixture of performance and protest fueling the prose. . . this memoir shines as surely as its history needs telling." —Publishers Weekly
"Eating Fire is a sometimes entertaining, sometimes painful read. It recounts an important chapter in queer history along with some useful principles of direct action." —Gay City News
"Eating Fire is a reminder, an homage, a call to rally, and a plea to this generation of queer women. While this story is tenacious in some moments and vulnerable in others, it is always triumphant. Inspiring and absolutely heroic. This story belongs to us all." —Lambda Literary
"Reading Cogswell’s account is also to read an object study in not only the exciting birth and life of such groups, but also the flipside, which is their painful decline and fall. [Her] book most powerfully reminds you of the necessary mess of activism." —The Daily Beast
"An energetic and outspoken memoir." —Booklist
"She waxes nostalgic for the radicalism of the era, and like many of her contemporaries, laments the gay rights movement’s embrace of conservative mainstream ideals. Cogswell says she’s ‘burned out’ on activism, but her book is filled with longing for the sound of protest and the taste of fire." —Huffington Post
"Cogswell’s nonlinear, adrenaline-fueled narrative captures the energy behind the Avengers’ creative and media-savvy actions." —Bitch
About the Author
Kelly Cogswell is an independent journalist and blogger. She has been recognized by the New York Press Association for her regular column in New York’s Gay City News and is a recipient of a Joan Heller–Diane Bernard Fellowship for her project documenting the Lesbian Avengers.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A Book for Our Bravest, Weirdest Selves
By Sarah-Hope
Eating Fire opens in 1992. The Irish Lesbian and Gay Organization is fighting for the right to march in New York’s annual St. Patrick’s Day Parade; anti-gay violence is prevalent; the AIDS epidemic is underway; mainstream gay and lesbian activist groups are rejecting their fringes in an effort to present themselves as normal and “framing their campaign as a question of abstract equality and civil rights, and not about those creepy flesh-and-blood homos.”
The author, Kelly Cogswell has arrived in New York from Kentucky, having abandoned her Southern Baptist faith, ready to live a life full of art, words, and action. She is one of the founding members of the Lesbian Avengers, a direct-action group determined to keep the fringe at the heart of things, celebrating and empowering this part of the community, rather than sweeping it under a (very tasteful, I’m sure) rug.
Cogswell’s voice is sure, brimming with passion and intelligence. She drops readers into the middle of this historical moment, taking them on a wild and wide-ranging ride. She builds a home for herself in the Lesbian Avengers, whose organizing includes the principle that “Butch, femme and androgynous dykes, leather queers, drag kings and queens, transsexuals and trans-genders will not be thrown to the wolves so that straight-acting ‘gay people’ can beg for acceptance at our expense.”
One of the most valuable messages of Cogswell’s book is that direct action is an essential tool for political change: “Everybody should know how to use it. Especially dykes who rarely have lobbyists or representatives or cultural power…. Every time the Avengers pulled off an action, we weren’t just making lesbians visible or trying to change society. We were changing lesbians. Creating a new kind of dyke who saw public space as hers, who could step out into the street and make noise, be herself, feel at home in the world. In some ways, we were the last utopian group of the millennium, aiming not only for justice, but for pure freedom.” This mix of celebration, self-affirmation, wicked humor and outrage is all too rare in the U.S.’s current political discussions, and our current era is lessened by this fact.
Eating Fire captures the way that the internet transformed activism, allowing groups and individuals to produce low-cost, high-quality reporting, argument, and education. At one point in her book, Cogswell, whose lightening-quick mind has her offering claims and rebuttals one after another, gives the role of technology in the more recent “Arab Spring,” a nod, while reminding us that revolution requires much more than a strong on-line presence and regular tweets: “the triumph of nonviolent organizing [that was the Arab Spring] was getting called a revolution by the internet despite crowds in the street day after day, despite years of activism.”
Reading this book can remind us to be our own bravest, weirdest selves: “Visibility isn’t change itself, but a kind of wedge others can follow.” In a time when the politics of visibility seems much more about obstructionism than creativity, we need this book, this reminder of what we have done—not because we need to return to the past, but because of the necessity of working towards a transformative future.
2 of 2 people found the following review helpful.
An excellent story from the front lines
By Su Friedrich
As someone who was in the Avengers, I started reading this with some trepidation: Would it just plod through the history in a way that was too familiar, too reminiscent of other histories of the glory days of activism? But no! It's wonderful from start to finish. Kelly is a poet and one feels that on every page. She succeeds in describing extremely complex events in a concise, witty and thoughtful way; she reveals a great deal about her feelings without ever becoming maudlin or self-pitying; she takes on a lot of thorny questions and gives them a fair hearing, and she consistently uses language not simply to record history but to give us lyrical or funny or moving experiences with words and phrases. As a result, it's a pleasure to read even when we're reading about the failures and stresses inherent in any efforts that are made towards political and cultural change.
0 of 0 people found the following review helpful.
An Honest Movement Memoir
By Carol Anne Douglas
I am a lesbian feminist and have spent many years in the feminist movement. This is perhaps the most honest movement memoir I have read. I knew about the Lesbian Avengers, but lived in a different city and had no connection with them.
This is both an inspiring story of activism and, sadly, an illustration of the things that can go wrong. I am sorry that the fire eaters burned out. They were very gutsy in their lesbian visibility and were more diverse in race, class, and ethnicity than most other movement groups.
This is must reading for anyone interested in feminist and lesbian movements.
Carol Anne Douglas
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