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Styrbiorn the Strong, by E. R. Eddison
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E. R. Eddison’s classic saga novel now in paperback—includes for the first time Eddison’s remarkable letter of introduction and his unabridged closing note
Styrbiorn the Strong tells the grand tale of Styrbiorn Olafsson, heir to the Swedish throne and known both for his impressive size and strength and his unruly, quarrelsome nature. Denied his birthright and exiled from Sweden, Styrbiorn becomes the leader of the Jomsvikings and sets out to reclaim the Swedish throne in the epic Battle of Fýrisvellir. A rediscovered classic, Styrbiorn the Strong is a tale reminiscent of the Old Norse sagas, a historical novel from one of the twentieth century’s most influential masters of fantasy.
- Sales Rank: #153592 in Books
- Published on: 2011-11-29
- Original language: English
- Number of items: 1
- Dimensions: 7.38" h x .70" w x 5.00" l, .58 pounds
- Binding: Paperback
- 264 pages
Review
"The greatest and most convincing writer of invented worlds that I have read."—J. R. R. Tolkien
"The archaic manner . . . you have to do it perfectly. It’s a high wire: one slip spoils all. The man who did it perfectly was, of course, Eddison. If you love language for its own sake, he is irresistible."—Ursula K. Le Guin
"In a word, Eddison’s books are works, first and foremost, of art. And they are irreplaceable."—C. S. Lewis
"For the qualities of glamour and imagination which stood out in The Worm Ouroboros he has substituted in this book the lusty vigor and poetic simplicity of the old Scandinavian lore, telling Styrbiorn’s story with historical fidelity yet with the skill of the true storyteller, clothing it in the style of the old sagas, yet with the beauty of the true stylist." —New York Times
"The story of Styrbiorn, who, born to hereditary joint-kingship, finds that the intriguing of others has cost him a throne and a friend, and at the last attempts to regain his throne. He fails, but his viking-faring of the earlier days, as well as the glory of his failure, have more than earned for him a spot in Valhalla." —Boston Transcript
"Eddison writes with a beauty not often found this side of the sixteenth century. His prose is mannered, but it is rugged, energetic, fresh." —Walter Yust, Literary Review
About the Author
Eric Rücker Eddison (1882–1945) so loved the William Morris and George Webbe Dasent translations of the Old Norse sagas that he taught himself to read Old Icelandic. He studied classics at Trinity College and went on to write five novels—including the fantasy classic, The Worm Ouroboros.
Paul Edmund Thomas is a literary scholar who has focused most of his work on E. R. Eddison and J. R. R. Tolkien.
Most helpful customer reviews
30 of 34 people found the following review helpful.
Flawed but one of the best "modern" saga recreations.
By Stuart W. Mirsky
Affecting the ornate cadences of King James English, which was the common usage of 19th century saga translations, E.R. Eddison here recreates the saga that might have been (had one survived) of Styrbiorn Olafsson, heir to one-half of the Swedish throne in the tenth century. Styrbiorn, surnamed "the Strong" for his remarkable size and physical accomplishments, is mentioned only briefly in Snorri Sturlasson's Heimskringla (the Norse Book of Kings) and elsewhere, and does not seem to have merited a saga of his own to chronicle his rather brief and tumultuous life. At the least, no such saga has survived. Early on Styrbiorn establishes his viking credentials when he goes into a voluntary three-year exile at the urging of King Eirik, his uncle, who will not consent to share the throne with him until he has demonstrated a certain amount of Norse maturity. Although a youth of prodigious strength, who amuses himself by wrestling with his pet ox in his spare time, and of unusual fairness, Styrbiorn is also somewhat of a dullard by modern standards -- unable to fathom the deeper matters of policy and human interaction. Still he is an honorable fellow and not unintelligent in his own way as he demonstrates in his dealings with the Jomsburg vikings, who accept him as one of their leaders after a dramatic shipboard duel, and later in his encounter with the legendary Danish King Harold Gormsson (surnamed "Blue-Tooth" for his rather prominent dental problems). Still, Styrbiorn is ultimately undone by his own impetuousness and susceptibililty to the allure of the young and beautiful wife of his uncle, the legendary Sigrid the Haughty. Having returned to Sweden earlier than promised and discovering himself drunk in Sigrid's bed after a dream-like carousal of the night before, Styrbiorn is unable to suppress his shame and despair at having cuckholded Eirik, his uncle and benefactor. Enraged by his apparently brutish rejection of her after their steamy nighttime tryst, Sigrid now plays Potiphar's wife to Styrbiorn's Joseph and cries out that she has been raped and violated by him. Eirik, knowing Styrbiorn's past arrogance only too well, is more than willing to believe the worst of him, and swiftly chases Styrbiorn from the palace and kingdom, leaving his nephew with no other means to reclaim his patrimony but the sword. Styrbiorn does not scruple at this, though it galls him to do it, and, in a final confrontation with his uncle, casts his hopes in a final toss for all or nothing on Fyrisfield. But Styrbiorn is undone and falls in the conflict while those of his followers who survive must flee into the woods to save their lives. Despite the power of the language of this tale, which is both beautifully wrought and heroically evocative, the book ultimately leaves one unsatisfied. The last great battle occurs almost as an afterthought, off-stage, while the final scene is like a deus ex machina in reverse with Odin, the chief god of the Nordic pantheon, seated like some old testament vision on his throne above the earth, prononuncing his verdict -- that he has taken Styrbiorn for his own. We are transported abruptly and without fair warning from the domain of the saga to another place, which is somehow discordant with all that has gone before. It is as though Eddison, who had labored so mightily and with such skill to render this epic tale, had suddenly grown tired of his own words and ended it as best he could, for want of anything more to say. The book, though finely crafted and with characters who come brilliantly to life in the high-toned speeches placed in their mouths by the author, ultimately totters and stumbles to an awkward and unsatisfying end. Still, for some of the finest prose in English literature (old or modern) or one of the purest evocations of the old Norse sagas and tales, few books have done it better. By Stuart W. Mirsky The King of Vinland's Saga
10 of 10 people found the following review helpful.
Flawed but one of the Best "Saga" Novels
By Stuart W. Mirsky
Affecting the ornate cadences of King James English, which was the common usage of 19th century saga translations, E.R. Eddison here recreates the saga that might have been (had one survived) of Styrbiorn Olafsson, heir to one-half of the Swedish throne in the tenth century. Styrbiorn, surnamed "the Strong" for his remarkable size and physical accomplishments, is mentioned only briefly in Snorri Sturlasson's Heimskringla (the Norse Book of Kings) and elsewhere, and does not seem to have merited a saga of his own to chronicle his rather brief and tumultuous life. At the least, no such saga has survived.
Early on Styrbiorn establishes his viking credentials when he goes into a voluntary three-year exile at the urging of King Eirik, his uncle, who will not consent to share the throne with him until he has demonstrated a certain amount of Norse maturity. Although a youth of prodigious strength, who amuses himself by wrestling with his pet ox in his spare time, and of unusual fairness, Styrbiorn is also somewhat of a dullard by modern standards -- unable to fathom the deeper matters of policy and human interaction. Still he is an honorable fellow and not unintelligent in his own way as he demonstrates in his dealings with the Jomsburg vikings, who accept him as one of their leaders, despite his extreme youth, after a dramatic shipboard duel and, later, in his encounter with the legendary Danish King Harold Gormsson (surnamed "Blue-Tooth" for his rather prominent dental problems).
Still, Styrbiorn is ultimately undone by his own impetuousness and susceptibililty to the allure of the young and beautiful wife of his uncle, the legendary Sigrid the Haughty. Having returned to Sweden from his voluntary exile earlier than promised and discovering himself drunk in Sigrid's bed, after a dream-like carousal of the night before, Styrbiorn is unable to suppress his shame and despair at having cuckholded Eirik, his uncle and benefactor. Enraged by Styrbiorn's apparently brutish rejection of her after their steamy nighttime tryst, Sigrid now plays Potiphar's wife to Styrbiorn's Joseph and cries out that she has been raped and violated by him.
Eirik, knowing Styrbiorn's past arrogance only too well, is more than willing to believe the worst of him, and swiftly chases Styrbiorn from the palace and kingdom, leaving his nephew with no other means to reclaim his patrimony but the sword. Nor does Styrbiorn scruple at this, though it galls him to do it, and, in a dramatic confrontation with his uncle, casts his hopes in a final toss for all or nothing on Fyrisfield. But Styrbiorn is undone as the battle goes against him and falls in the conflict while those of his followers who survive must flee into the woods to save their lives.
Despite the power of the language of this tale, which is both beautifully wrought and heroically evocative, the book ultimately leaves one unsatisfied. The last great battle occurs almost as an afterthought, off-stage, while the final scene is like a deus ex machina in reverse with Odin, the chief god of the Nordic pantheon, seated like some old testament vision on his throne above the earth, prononuncing his verdict -- that he has taken Styrbiorn for his own. We are transported abruptly and without fair warning from the domain of the saga to another place, which is somehow discordant with all that has gone before. It is as though Eddison, who had labored so mightily and with such skill to render this epic tale, had suddenly grown tired of his own words and ended it as best he could, for want of anything more to say.
The book, though finely crafted and with characters who come brilliantly to life in the high-toned speeches placed in their mouths by the author, ultimately totters and stumbles to an awkward and unsatisfying end. Still, for some of the finest prose in English literature (old or modern) or one of the purest evocations of the old Norse sagas and tales, few books have done it better.
SWM
Other saga novels if you're interested:
Eric Brighteyes: The Works of H. Rider Haggard
The Golden Warrior
Saga: A Novel Of Medieval Iceland
The King of Vinland's Saga
Two Ravens
The Greenlanders
3 of 3 people found the following review helpful.
For Word Nerds
By Tyson Supasatit
If you're a word nerd, especially when it comes to the Germanic and Norse roots of our English language, then you would be cheating yourself to pass this book by. Eddison believed that much of what was great about England was due to Norse influences, especially as captured in early saga literature. In Styrbiorn the Strong, he attempts to recapture and convey that essence in a way that the common person would understand.
This is not easy reading. I needed to look up cool words like firth, chap, and garth in the dictionary. Notice that there are no words derived from Latin or Greek in this book! It's really amazing. Again, if you're a word nerd, you'll enjoy it.
As for the story, it's gripping. The character of Styrbiorn is not always likeable, but he's a force of nature. A few scenes were so sublime that I left off reading for a bit just to process what was going on between the lines. Also, the Minnesota Press paperback has a cover with a really cool matte texture.
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