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Kicking the Pricks, by Derek Jarman
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The shockingly honest journals of the acclaimed filmmaker and gay rights activist.
- Sales Rank: #3248788 in Books
- Brand: Brand: Univ Of Minnesota Press
- Published on: 2010-08-19
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .60" w x 5.50" l, .70 pounds
- Binding: Paperback
- 256 pages
- Used Book in Good Condition
From Library Journal
The provocative title of this fourth volume of the journals (e.g., At Your Own Risk, LJ 12/92) of the late British avant-garde filmmaker, artist, and gay activist suggests a look back in anger and defiance of the conventional. It is, but it is also rich in wit, intellect, and a clearly articulated aesthetic. Written while editing his film The Last of England (1987) and originally entitled that in Britain, this first American edition goes by the uncompromising title Jarman (1942-94) originally chose. Part memoir, part career retrospective, the journal is a collage, incorporating dryly moving personal reminiscences from childhood through the 1980s, glimpses of his filmmaking genius at work, and penetrating critiques of his own art and those of others, as well as vivid prose and poetry miniatures. Filled with startling verbal and photographic imagery, this book, like Jarman's films, may not appeal to every taste, but his importance as an artist and its own merits justify its inclusion in all film, art, and gay studies collections.?Richard Violette, Social Law Lib., Boston
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
This impassioned and reflective final volume in the late avant-garde filmmaker's diaries articulately mixes personal recollections, travelogues, and interviews, plus a few fantastic vignettes thrown in. Written during the making of Jarman's apocalyptic antipatriotic film The Last of England, the journal more or less anchors itself on that work-in-progress, in contrast to the color schemes of Chroma (1995), the previous volume of diaries. This book shares much of the same subject matter with its predecessors: Jarman's esthetic perspective and artistic training as a painter, his struggle with his sexual identity and escapades during the sexual revolution, his opinions on the British cinema world and its reactions to his controversial films Caravaggio, The Tempest, et al. Filming The Last of England supplies this book with not only a thematic focus but also a sense of immediacy, as Jarman works out his film vision of an Albion wrecked by its own imperial identity. Unpacking the film's literary and visual allusions, he succinctly describes it as ``a dream allegory [where] the poet wakes in a visionary landscape.'' The most striking feature of the journal, however, is Jarman's bitter yet ruefully sympathetic portrait of his domineering father--``the classic fag's father''--a WW II bomb- squadron leader who embodies much of what his son detests in the English establishment and the military mentality. A keen amateur moviemaker, RAF officer Jarman took films of his bombing runs as well as his family during the war, which wound up in The Last of England as both nostalgia and ironic counterpoint. In a sense, Jarman points out, his father was equally betrayed by his country: Emigrating from New Zealand, he had to become more British than the British and fought an exhausting war only to go adrift in contemporary England. The rich, raw, kaleidoscopic finale of a personal and artistic statement. (100 b&w photos, not seen) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.
Review
"The most engrossing book I’ve read in an age...It offers a back-room view of Jarman’s career as well as his musings on art and film...Jarman is the sort of troublemaking visionary who one day may be compared with Blake." —Time Out London
"Moving, poetic, inspirational." —New Musical Express
"The rich, raw, kaleidoscopic finale of a personal and artistic statement." —Kirkus
"Derek Jarman was a genius who, like the gay artists he admired, not only lived dangerously (that being queer) but created dangerous art. In this time when artistic cowardice (that being marketability) reigns, one would do well to read Kicking the Pricks." —Lambda Book Report
Most helpful customer reviews
28 of 29 people found the following review helpful.
Straight Talk on the American Dream
By Dave (D.J.) Butler
This book, written in a punchy and engaging voice, is part memoir, part political diatribe and all truth.
The American Dream is out there, in reach of every American. You work hard, you take risks, you invest the time, the money, the training, and you make a good life for you and your family. This is the archetypal American Story, it is Ken Hamblin's story, and, as Ken fiercely argues, it is a common story. It can be your story.
Even if you're black, poor, and from a rough neighborhood.
In his explication of the American Dream, Hamblin particularly attacks those that would force black Americans to be victims, from the "black thugs" and the "brood mares" that demand ever-increasing entitlements that can only destroy their own lives and the vitality of their communities, to the "poverty pimps" and the "egg-sucking dog liberals" whose own power depends on telling the black underclass that they are doomed to failure and victimhood, the only salvation lying in voting for the politician who will bring back a bigger bite of the welfare apple.
Hamblin punches hard and talks straight, punctuating each chapter with correspondence -- both supporting and hateful -- he has received in response to his writings and radio show. Entertaining and informative.
31 of 33 people found the following review helpful.
This should be a must-read textbook for inner-city schools
By A Customer
Ken Hamblin is a first generation,self-made American. He does not use hyphens or letters to descibe himself. Instead,he calls himself colored or negro. In his book he illustrates the disservice done by liberals to blacks and other minorities in America. He points out the fact that the liberal's patrinization of minorities has done more harm than good because it fails to allow an individual to accept responsibility for their own actions. Ken Hamblin uses examples from his own experiences as a journalist. He also cites personal observations while traveling across America on his Harley-Davidson motorcycle and in his airplane, of what he sees going on around him. Witty and at the same time hardhitting, he exposes the on-going liberal hypocrisy and how it rewards laziness,while simultaneously condemning achievement. He offers simple, easy to adopt solutions to this problem. He also prints comments from listeners of his syndicated radio program. America still works, the dream is still alive. The viewpoints are an American view. Very real, very informative, and very entertaining.
24 of 25 people found the following review helpful.
In Your Face Patriotism
By Steven Fantina
Compared to Ken Hamblin, Rush Limbaugh looks like a liberal, Laura Schlessinger is an advocate of sensitivity training, and Pat Buchanan sounds like a wishy-washy moderate with inchoate opinions. Hamblin is no fan of whiners constantly looking for a target to blame so they can dwell in their perpetual victim status. As a child of a welfare family, he brings strong credence to his condemnation of government handouts that enslave generations. He is not craven about attacking misguided multi-cultural mendacity that creates class warfare and demeans patriotism. Among his other beta noirs--loosened morality, anti-American sentiments, feel good education policies that shortchange students, the worship of self-esteem, and liberal politicians whose dumb policies do widespread harm to those they profess to be trying to help.
Besides his wise social commentary, Ken Hamblin is a captivating raconteur. Reading about his first visit to the isolated village of Atlantic City, Wyoming (NOT New Jersey) I saw the innumerable stars twinkling in the endless sky, and when he relates his solo scuba diving adventure in the eerie murkiness of Lake Powell, I felt myself actually wanting to come up for air.
Ken Hamblin is justified in boasting that he is living the American Dream. To achieve his goals he needed to surmount two kinds of racism. As a young man, many "whites-only" doors slammed in his face, and once he achieved his success he found many rigid liberals unwilling to accept a challenging black voice that did not hew to stereotypical standards.
My only complaint is that the book's subtitle "An Unassuming Colored Guy Speaks His Mind About America" contains a completely inappropriate word. Ken Hamblin is about as "unassuming" as a tsunami/earthquake combination.
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